This is a Post For Gabriele

Returning to Encaustic: A Journey That Never Ends

After many years away from encaustic, I recently found my way back to it — and it feels like coming home.

There is something deeply satisfying about working with wax. The layering, the translucency, the slow building of texture and depth, and especially the ritual of fusing each layer. The process demands patience and presence. For me, encaustic is almost like a meditation. Each layer becomes a quiet conversation between intuition and material.

I continue to explore my female portraits, but now I feel drawn to adding animals into the work. The relationship between human expression and the spirit of animals fascinates me. There is symbolism, mystery, and emotion that naturally emerge when the two coexist on the same surface.

Another exciting evolution in my work is the incorporation of metal — etched copper, brass, and patinated surfaces. I love the contrast between the softness of wax and the strength and texture of metal. The aged patinas, the marks, the imperfections all add another layer of storytelling to the pieces.

At the same time, I am challenging myself to move further into abstraction. That feels both exciting and uncertain, which is probably why I know I need to pursue it. Abstract work opens a different door creatively — one that relies less on representation and more on emotion, movement, and instinct.

I have also been experimenting with resin. It is not my favorite medium, but I have discovered that in smaller works it can create a beautiful luminous finish. I enjoy the way it can enhance texture and depth when used thoughtfully.

What excites me most is realizing that there is no final destination. Every time I think I understand my work, another path appears. Another material calls to me. Another idea begins to form.

And maybe that is the true beauty of being an artist.

The journey continues — and I hope it never ends.